U.K.’s Film and TV Charity Launches Two-Year Program For Better Mental Health in Film and TV

The U.K.’s Film and TV Charity has launched the Whole Picture Program, a two-year initiative designed to to improve the mental health and wellbeing of the 200,000 people who work behind the scenes in film, TV and cinema.

The Film and TV Charity has now secured £3 million ($3.87 million) in funding from Amazon Prime Video, Banijay U.K., BBC, BBC Studios, Channel 4, IMG, ITV, Sky, Sky Studios, Sony Pictures Entertainment, The Walt Disney Company, ViacomCBS and WarnerMedia to deliver the program that is supported by the BFI and backed by U.K. mental health charity Mind. The charity estimates that mental health problems, including staff turnover, cost the sector at least £300 million ($387 million) in losses each year.

The program will deliver a toolkit for mentally healthy productions; enhanced professional and peer support for freelancers; people skills and training guides; industry actions to improve behavior; and anti-bullying services and

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Union Health Plan Dodges Film Workers’ Suit Over Virus Relief


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Law360 (October 9, 2020, 5:22 PM EDT) —
The Motion Picture Industry Health Plan’s board can’t be sued under ERISA for allegedly flouting its duties when it relaxed plan rules in response to COVID-19, a California federal judge has ruled, nixing a proposed class action filed by two cinematographers who still couldn’t qualify for benefits.

In an order entered Thursday, U.S. District Judge R. Gary Klausner granted the board of directors’ motion to dismiss Greg Endries and Dee Nichols’ Employee Retirement Income

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New film dismantles South Asian stereotypes tied to spelling bee, mental health

In the opening moments of “Definition Please,” a young Monica Chowdry wins the Scripps National Spelling Bee in 2005. Now, 15 years later, she tutors prospective young spellers and lives with her mother, Jaya, who still joyously watches old news segments celebrating her daughter’s victory.

Through this, the film juxtaposes the model minority myth associated with the South Asian diaspora, specifically when it comes to achievements like winning a spelling bee and the success that’s bound to follow.

As Monica reconnects with her estranged brother Sonny on the one-year death anniversary of their father, the 90-minute drama also tackles loss and identity with an acute, empathetic focus on the still-taboo topic of mental health.

Sujata Day, best-known for her work as Sarah in the HBO comedy “Insecure,” wrote, directed and stars in the movie.

It will make rounds at the film festival circuit as part of Asian CineVision’s Asian American

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Celebrating Chinese Food in Film: Meet Chen Xiaoqing

The humblest food becomes wondrously photogenic in the films of Chen Xiaoqing, creator of the hit Netflix series Flavorful Origins and its progenitor Once Upon a Bite. Dumplings are crafted on timber boards amid billows of flour. Steam shrouds mottled crabs, cooking with ginger and chili in in tall stacks of wicker baskets. Fishermen wade into crashing surf on wooden stilts to snare sardines with A-frame nets. There are aerial shots of emerald rice terraces, time-lapse sequences of drying bricks of tea, and mortar-eye views of pestle-pounded spices.

There’s not a fast-food restaurant or production line in sight in this romanticized glimpse of a homespun culinary culture sadly threatened by industrial kitchens, agribusiness and progress.

“Our food must be delicious, beautiful, with a legacy and connection to local culture and geography,” Chen tells TIME in his Beijing office. “For the people, they must really love the food, put

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